Marty McGuire

Recent Posts

Sat Nov 2
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📍 Checked in at Joe Coffee, New York, NY.
Sat Oct 26
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📍 Checked in at Cherry Republic, Glen Arbor, MI.
Fri Oct 25
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📍 Checked in at Lotus Brew, Grand Rapids, MI.
Thu Oct 24
📕 Finished reading Make a Zine!: Start Your Own Underground Publishing Revolution by Joe Biel with Bill Brent ISBN: 9781648411564
Fri Oct 11

Videos from the last XOXO are going up on YouTube. Here’s a playlist of XOXO 2024 main stage talks. There are a lot of lessons to take away from these, and many calls to action.

But if you only watch one, it should maybe be this one that broke the audience entirely.

https://www.youtube.com/watch?v=Df_K7pIsfvg

Tue Oct 1
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📍 Checked in at Avocaderia, Brooklyn, NY.

🥑🥗

Wed Sep 18
🔁 Reposted https://mastodon.social/@mweinberg/113159044341136083
post from
Sketchfab, which had been a popular place for GLAM institutions to host their 3D models, just announced that they are basically shutting down the non-monetized part of their service. @nebulousflynn has a evolving breakdown of what it means
Sat Sep 14
🔁 Reposted https://www.citationneeded.news/hachette-v-internet-archive/
Thu Sep 12

Has there been a tragic accident during eternal Caturday

Tue Sep 10
🔁 Reposted https://adactio.com/journal/21405
post from What price?
I’ve noticed a really strange justification from people when I ask them about their use of generative tools that use large language models (colloquially and inaccurately labelled as artificial intelligence).
Sun Sep 8

🗓️ The Level Up

📆 Add to Calendar: iCal | Google Calendar

The Level Up is a LOOSELY video game-themed indie improv showcase! Come and see some of the freshest talent in the New York indie improv scene!

I’ll be playing in with Philip and the rest of the Level Up!

Looking forward to it! And to seeing you there!! (Yes, you. Come on out!!!)

Magnet Theater
254 West 29th St (btwn 7th and 8th Ave.)
New York City, NY 10001
Tickets $10: https://magnettheater.com/show/58804/

Recently finished this (good, heavy, tip-of-an-iceberg) book on influence operations:

https://martymcgui.re/2024/09/05/222732/

Now watching how it’s playing out in today’s (war and commercial) games industries. 😳

https://youtu.be/lYaDXZ2MI-k

post from
📕 Finished reading Stories Are Weapons: Psychological Warfare and the American Mind by Annalee Newitz ISBN: 9780393881516
Sat Sep 7
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📍 Checked in at Han Dynasty, New York, NY.
📗 Want to read American War by Omar El Akkad ISBN: 9781101973134
📗 Want to read Says Who?: A Kinder, Funner Usage Guide for Everyone Who Cares about Words by Anne Curzan ISBN: 9780593444092
📗 Want to read Mobility by Lydia Kiesling ISBN: 9781638930563
📗 Want to read How We Show Up: Reclaiming Family, Friendship, and Community by Mia Birdsong ISBN: 9781580058070
📗 Want to read Emergent Strategy: Shaping Change, Changing Worlds by Adrienne Maree Brown ISBN: 9781849352604
Fri Sep 6
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📍 Checked in at Fourth Avenue Pub, Brooklyn, NY.
Thu Sep 5
📗 Want to read A Half-Built Garden by Ruthanna Emrys ISBN: 9781250210999
📕 Finished reading Stories Are Weapons: Psychological Warfare and the American Mind by Annalee Newitz ISBN: 9780393881516
Wed Sep 4
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📍 Checked in at Bar Veloce, New York, NY.

Gotta enjoy outdoor sipping while it’s nice!

Tue Sep 3
🔁 Reposted https://www.jwz.org/blog/2024/09/happy-bell-riots-day-to-all-who-celebrate-2/
post Happy Bell Riots day to all who celebrate
Lots of people jumped the gun on this, just like they did with Blade Runner day, but today is the start of the Bell Riots, not August 30th. (From the horse's mouth if you don't believe me.)
Sat Aug 31
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📍 Checked in at Elizabeth Street Garden, New York, NY.

Enjoying endangered gardens

Fri Aug 30

Thanks to Matthew for reading my post on recent IndieWeb discourse and adding a new section with his responses and notifying me about it via email.

There are certainly a number of things in Matthew’s response that tempt me to respond, but I’d like to focus on this:

I am, nevertheless, a little annoyed by the exhortation to “talk with us”. What does it look like I’m doing over here, anyway? Oh, no, it’s not good enough to post one’s opinion on the web. I’m supposed to use one of the IndieWeb’s chats, either IRC, Slack, or Discord. […] I am already talking with you. I’m doing it here, on my own website for all to see, in the best IndieWeb tradition. And you are talking to me if you quote me on your own website or email me.

I don’t consider my post a reply to Matthew’s post. I do not see his post as an invitation to conversation. I read it as a “take” - an opinion piece intended to make the reader feel a certain way and then close the topic, complete with clickbait headline.

I shouldn’t have to point out that bloggers-blogging-at-bloggers has a long history of unproductive conversation. Reducing the impact of unproductive conversations is part is why there’s not an IndieWeb mailing list. It’s easy in these formats to go hard on the abstract, and to spend time constructing arguments instead of asking questions.

That’s not to say that posts can’t inspire change. In the past day or so indieweb.org/discuss has been updated to mention right in the opening sentence that the IRC, web, Slack, and Discord chats are all bridged. Discussions have also kicked up (not for the first time) around making the homepage more welcoming, focusing on principles first, etc.

Those changes are being decided in the real-time chat, where you can meet and talk with the individuals (all volunteers!) who make up the IndieWeb community. I reckon it beats trying to reverse-engineer that community from a wiki.

Thu Aug 29

Sharing for my fedi-peeps. That’s a term, right?

Has the IndieWeb become discourse, again? https://martymcgui.re/2024/08/29/141602/

post from Has the IndieWeb become discourse again?
I recently read Has the IndieWeb Become Irrelevant from starbreaker.org.

Has the IndieWeb become discourse again?

I recently read Has the IndieWeb Become Irrelevant from starbreaker.org.

The post does a great job linking to and summarizing a spate of posts that I will call “people being mad at the IndieWeb”, while also being one of these posts.

These posts accuse “the IndieWeb” of being elitist, exclusionary, overengineered, complicit, and unnecessary, among many other things.

There are some common threads I noticed among these posts:

  • None of them mention micro.blog!
  • They seem to attack a “straw person” version of the IndieWeb, where one is expected to read, follow, and implement over a decade of experimentation on the web.

Micro.blog is real

Folks that would like to try a turnkey website hosting service, where:

  • you bring your own domain (or register a new one!)
  • you can leave and take your content with you whenever you want
  • requires no coding (and no plugins to configure, and no “files and folders”)
  • offers mobile and desktop apps that let you post (and read) the kinds of content you want
  • supports IndieWeb building blocks to let you follow and interact with other people via your own websites

I don’t see eye-to-eye with its creator Manton Reese about everything, but micro.blog is a great example of a real world service that makes use of IndieWeb building blocks in ways that customers benefit from without having to build anything!

The rest is wiki

I think many of other complaints, from being “overengineered” to (paraphased) “POSSE makes IndieWeb complicit with the corporate web”, come from misconstruing the IndieWeb wiki at indieweb.org as the entirety of “being IndieWeb”.

When I discovered indieweb.org (in maybe 2015?) I was intrigued and nearly instantly overwhelemed. Trying to absorb all the concepts there would be nearly impossible. Understanding and implementing all the techniques there is actually impossible.

That’s because indieweb.org is not a presciption or a cookbook or an exercise plan. It doesn’t tell you how to “be IndieWeb”. It’s a collective memory of experiments, some successful and some not, from a group of experimenters that has changed greatly over time.

For example, I find that criticisms like “f*ck the corporate web and f*ck IndieWeb for interoperating with the corporate web” don’t really hold up when a lot of that stuff doesn’t even work anymore.

On corporate complicity

Automatic POSSE, syndicating posts from your own site out to your profiles on social silos, only ever barely (and briefly) worked for Instagram, was turned off for Facebook a few years ago, and was all but destroyed for Twitter shortly after its last acquisition. backfeed - pulling comments and likes from these platforms to display on your own site - has similarly been blocked by technical measures.

These were experiments that worked for a time. People used them for a time. That time has passed and the people have moved on.

Some folks have replaced their Twitter usage with something like Mastodon, or Blue Sky, or Threads, and amazing people like Ryan have stepped up to help experiment with bridging personal sites and federated services.

There is no “the way”, only “your way”

People don’t have to move on for purely technical reasons. Even before Twitter closed their APIs, many in the IndieWeb community were shuttering their Twitter accounts and removing posts. They moved on from Twitter, despite all those documented pages on the IndieWeb wiki, because they didn’t want to use the web this way anymore.

And to me, this is actually what “being IndieWeb” or “doing IndieWeb” is about: using the web in ways that fit your wants and needs, being mindful of when (and to whom) you give up control over your stuff and your connections.

Figuring out how you want to use the web is a daunting task, to say the least! The IndieWeb wiki is full of interesting examples and ideas - but as a logbook of ways of using the web, it can be inscrutable. It was never intended that every way of using the web would be suitable for everyone. A collective memory is extremely hard to keep up-to-date and to signpost for navigation. Trying to rely on the wiki alone is a recipe for frustration.

I freely admit that the community has fallen into some serious prescriptive traps over time. Like with tools like indiewebify.me that offer a checklist of implementation details, without accompanying reasons why you might want these features.

This isn’t the first time this has happened, by any means, and it won’t be the last, but the criticisms of these tools and models do make their way back into the collective memory. (see: generations and IndieMark)

Talk with us

That’s why the IndieWeb chat exists. It’s a place where real actual people, who are working to use the web in ways that suit them, are ready to help in whatever ways we can. We love to share what is (and is not) working for us, what we’re trying, and so on. More importantly, we want to help you find ways of using the web that work for you.

Wed Aug 28

Are you safely stowed away during eternal Caturday?

Tue Aug 27

Are you giving it your all during eternal Caturday?

Sun Aug 25
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📍 Checked in at Study Hall, Portland, OR.