I took another (unsuccessful) run at the previously-failed neckline for the knitalong sweater this weekend. I have learned that I have much to learn about taking off ribbing with circular knitting but also I don't want to talk about it.

Instead let's talk about these!

I made these based on the Fingerless Mitt to Knit by Diana Sullivan (from Austin, TX). Diana doesn't give gauge or final measurements, or discuss blocking, so I made them almost exactly according to pattern.

Diana calls for superwash sock yarn, so I picked up a skein from Knitty City while I was out on some errands. I finally got to try out my fancy new yarn winder, which was pretty fun.

Each mitt is knit in two parts:

• The main body is knit from the wrist-up. 51 stitches set up for 1x1 rib (I used 53). Do 40 rows of the 1x1 rib. Then switch to English rib by setting the ribber carriage to tuck to the left and do another 40 rows. Back to 1x1 rib for 8 rows for the top of the mitt. Finally, transfer all stitches to the main bed, knit one row at the loosest tension, and do a loose loop-through-loop bind-off.
• The thumb portion is knit as a triangle, starting from the tip of the thumb. 25 stitches in 1x1 rib for 4 rows. Switch to English rib and decrease by 1 stitch on each bed on each side (so, 4 stitches total). Repeat until you're down to 1 stitch, knit twice on that one needle, and you're done.

I'm still pretty new to sewing-up knits, so I ended up doing the first one in stops-and-starts. It begins by attaching the thumb piece to one side of the body by lining up the tiny triangle end of the thumb to the first row of English rib on the body.

I did my best approximation of a mattress stitch here, making the mistake of trying to also "match up" the English rib sections of both pieces, even though the body had a lot more stitches of rib to work with.

Thankfully it was easy to unravel my mistake. I made things a bit easier for myself on the second one. It paid to go slow and simply count stitches, stopping when I ran out of English rib stitches to sew from the thumb.

With the thumb attached to one side, you then sew up the wrist, joining the other side to the thumb. Stitch markers helped me identify the 1x1 to English rib transition points.

To close it up, I ended up sewing from two directions - from the top of the palm towards the thumb crease, and from the top of the thumb towards the same. I ended up with all the long ends coming together in the thumb crease, which made a nice place to tie a couple of knots to secure them and snip the ends.

These were fun and fast to make, machine-wise. I have a lot of work to do to build my sewing-up skills and speed.

I was surprised to find that they even mostly fit my larger-than-Diana's hands! The ribbing is super stretchy. The only place they bind is at the top of the palm, where I probably did a too-tight bind-off.

I've worn these around the house for a couple of days and could happily continue to do so. However, I want to try a slightly larger size, probably another 4 stitches wide and with another 8 rows of English rib for the body. I'm hoping that this pair fits producer Amy so they can get some good use!

Today was a good day, I think, for making a little bow.

Thanks to Knitology 1x1 for the step-by-step machine knit bow video!

This post is part of a series, as I play catch-up on KnitFactoryImpl's knitalong of a set in sleeve crew neck sweater for channel members.

After completing the front panel, only one major on-the-machine task remains for this sweater, and that's the neckline.

This is easy to explain conceptually: connect the front and the back by seaming them together at one shoulder, rehang all the stitches on the knitting machine, knit some rows for the collar, then cast off on waste yarn.

Still, I was dreading this for some reason, so I procrastinated on it all day and then hemmed-and-hawed as I did it.

Technically, the last bits of shoulder seams should include some purple stitches, but I found it too mind-bending to think about how to change colors while so many needles were going into hold and being wrapped. It's really just a few stitches so I don't think anyone will notice in the final sweater.

I then took a long break for food, exercise, and a shower, and only actually started hanging the neckline on the machine about 15 minutes before the live show-and-tell. 🫣

I really enjoyed the show-and-tell. It was encouraging to hear KnitFactoryImpl's own challenges and inspiring to see the final (extremely fluffy!) cardigan. I was delighted and honored that she shared my posts from this very website with some kind comments on my knitting setup and progress photos. I loved seeing photos from other participants, too! It was nice to have enough context to understand and appreciate some of the choices made in terms of stitch variety, yarn types, and (of course) colors and patterns!

I ended up waiting until after the livestream to finish hanging the stitches.

Once it was all back on the bed, following KnitFactoryImpl's advice, I:

• hung a bunch of weights.
• knit one row of normal knitting (at a slightly looser tension than the main body).
• transferred half of the stitches to the ribber for 1x1 rib.
• added more weights.
• set up the carriages to knit the rib the same as I had done the cuffs and body panel hems.

I even got to use these cool weight hangers on the edges!

After all the effort to hang the stitches, set the weights, set up the carriage, knit the one row of stockinette, remove the carriage, transfer half the stitches, set more weights, and set up the carriages again, I was feeling pretty nervous about this going awry.

So I knit 12 rows of 1x1 rib very slowly, checking each stitch after every row. This was made more challenging by the fact that my main yarn is pitch black. 😅

To my relief, those 12 rows went great! It was time to cast off onto waste yarn with circular knitting. So, I switched yarns, set the carriages for circular knitting, knit a few rows back and forth-

- and realize something was going very wrong! The tension from the weights just seemed to be not working. A bunch of stitches piled up loosely and then started dropping.

I didn't panic, but I did remove all the weights and start painstakingly removing the tangled knitting from the bed.

Most of the actual rib came off the machine fine. A few stitches have dropped but, in theory, I can fix those while sewing up to finish the seam. HOWEVER: sewing up seams is definitely one of my weaker skills, so I am not sure I trust myself to do it without making a huge mess of things.

For the sake of my future as a machine knitter, I think I will probably pull all this ribbing off and try again. It will be a time-consuming process, but it's safe to do. Importantly, it will give me a chance to figure out what bits of the knitting machine / stand / cast-on comb / hanging weights are interfering with one another, causing the stitches to bunch up after that dozen-or-so rows.

I could also stand to practice seaming and mending, a good reason to try and "rescue" this delicate collar situation.

Which will I choose? Will I let this project languish now that the knitalong is over? Stay tuned to find out!

Meanwhile, many thanks to KnitFactoryImpl for running this knitalong, for providing a super versatile free pattern generator, making extra videos to detail each piece, and pulling together and sharing photos and more from the community! Also, you know, for the tons of great instructional and inspirational machine knitting content! Go subscribe and support her channel, already!

This post is part of a series, as I play catch-up on KnitFactoryImpl's knitalong of a set in sleeve crew neck sweater for channel members.

At the dawn of the final day of the knitalong, I was determined to finish the machine-knit portions of the build. That means making the front panel, seaming the front and back along one shoulder, rehanging the neckline, and knitting the collar.

The front panel is constructed about the same as the back panel, but with differences in the neck and shoulder shaping. Compared with my rough go of it on the back panel, the front panel went much easier. I found myself tripping over the combination of working the pattern and switching yarns for the colored stripes. And I'm afraid that no one on Earth knows exactly how the stitch and row counts on the arm hole and neck actually shaping turned out. Future me will, unfortunately, become the one to solve this puzzle.

I played gravity chicken with the cast-on comb and weights and, unfortunately, they were near touching the ground just as the pattern called for the long series of decreases for arm hole shaping. I was able to hang the regular cast-on comb, but it added some complication with moving those stitches. If I had to do it again, I'd make sure to re-hang all the weights 10 or so rows before that.

I also regret being precious and/or clever with managing the out-of-work yarn. To keep down the number of ends to work in, I let the out-of-work yarn float from one section to the next. For straight sections, I should be able to hide the floats in a seam. For areas with decreases and bind-offs, I should have just snipped yarn and worked in the ends as I went. I think I'll be cutting and adding extra yarn to several floats that ended up being pulled shorter than the stitches they are meant to hide among. 😩

With breaks for food and stretching, it took me about 4 hours to get through this body panel. With my other obligations for the day, I don't think I'll be able to finish the neckline tonight. But, hey, there's always tomorrow!

I'm not super confident in how this is gonna turn out, but I'm proud that I've pushed through so far! Plus I got to try draping all the major pieces on!

This post is part of a series, as I play catch-up on KnitFactoryImpl's knitalong of a set in sleeve crew neck sweater for channel members.

In the first installment of this series, I made some sleeves, putting me well on time for the knitalong. Since then, however, I spent two weeks in Berlin, a few days sick, and some days catching up on work. All that adds up to: the knitalong is already practically over! 😱

However, I can't let that get me down. It's not homework, there's no grade. I just want to practice some skills, learn some new ones, and make producer Amy a nice sweater. So, let's cast on and get back to it.

The second video in the knitalong series is on body panels. I started with the back. A process that was meant to look something like:

• Cast on 1x1 rib and knit the bottom hem.
• Transfer stitches to the main bed and knit the body (a long rectangle of plain knitting).
• Shape the arm holes by binding off some stitches, then decreasing for a bunch of rows.
• Shape the shoulder and neck by working one side at a time.

Because I'm working this sweater with a pattern of stripes, I peppered the printed instructions with the row count and color for each color change. This would become important when switching "sections" of pattern that restart the row counter to 000, and doubly important for the shoulder shaping, which has to be worked twice.

This was my first time casting on a 1x1 rib across almost the entire bed. I found it challenging to get the ribber's full-bed cast-on comb. In my first failed attempt the comb was one needle too far to the right and got caught on a piece of the machine. For the second attempt, one of the weights got stuck on a piece of my knitting machine stand, causing stitches on that side to bunch up and drop. Seen above: I finally got it right!

After transferring the stitches from the ribber to the main bed, it should have been smooth sailing for the main body. Unfortunately, working the striped pattern proved challenging with so many stitches on the bed. The area for "parking" the non-active yarn ends up under the carriage, making it easy to tangle and create long loops. And, oh no-

Just over halfway through the main body, after switching colors and, I SWEAR, checking that the new yarn was properly in the carriage feeder, I dropped off a ton of stitches.

Thankfully, this was recoverable, if tedious.

• Remove all weights from the work.
• Carefully remove the work from the machine.
• Go back to the last row of the previous color stripe and re-hang the live stitches. At 185 stitches this was quite tedious!
• Reset the row counter to match.
• Hang a cast-on comb and some weights.
• Resume knitting, redoing the stripe that was dropped. It will be removed after taking the piece off the machine.

That was, thankfully, the only major disaster.

When I made it to shoulder bind-off, I pulled up the knitalong video to start double-checking steps. The bind-off went fine. The reductions for the shoulder holes was made more complicated by needing to switch colors in the middle, but went pretty okay!

At this point, it was time to work the shoulders one at a time. I referred to the video multiple times. I goofed up and dropped some stitches that I was thankfully able to recover. I took it slow and sweat the details. I nodded along at the concept of short rowing on two sides as I watched the video a 5th and 6th time. I ver-ry care-ful-ly bound off stitches. I counted and recounted and still somehow ended up off-by-one stitch somewhere along the way.

But I finished! And I think it will be okay!

I worked on this piece on and off all day, in between work and meetings and phone calls. I definitely putting in at least a few solid hours of work, mostly in recovering from mistakes. I wrapped around 10pm to write this post!

I'll be back at it tomorrow! My hope is to at least finish the front panel and the neckline and get a post online in time for the knitalong's Sunday show and tell. I'll still need to seam the final shoulder, sleeves, and sides, but I'll have finished the machine knitting part of it, and that should feel pretty good.

OK, see you tomorrow!

Today was a good day, I think, for finishing a little guy that I’ve been carrying around incomplete for a couple of weeks.

I’m traveling but that doesn’t mean I’m not machine knitting!

I am so grateful to Cristina Talpa for her make-a-scarf workshop. Amy found it via the Makery and we thought it seemed too good to pass up.

And it was! While the workshop is geared for total beginners to machine knitting, Cristina smoothly adjusted to work around things I already knew. She taught me some great new techniques and helped me improve some less-than-optimal techniques I came to the workshop with.

Plus, this scarf! I love it! Amy enjoyed posing me on an outing in Berlin today to snap a few photos.

I’m so grateful for the opportunity to meet an expert (and experimental!) machine knitter, work on a garment together, and chat about the state of the craft.

Thanks so much, Cristina!

After many years away, I have returned to in-person IndieWeb events, for IndieWebCamp Berlin 2025!

In past years, I have tried to capture my experience for each day and session in a long-form blog post, with thoughts on sessions, project ideas, progress made, ideas for the future, etc.

I’m pretty tired, though, so instead here is a collection of photos from my phone. It is both too-few and yet too-many!

Saturday

We had a good turnout, and I was impressed with how many folks demo’d their personal sites, in whatever state they were in, and shared their plans and hopes to improve them! ❤️

You can find a recap of the Intros session on the IndieWeb wiki.

After intros we took a short break for coffee and the restroom, then inscribed the runes and constructed the grid for summoning our schedule for Saturday.

With our futures committed to ink and paper, we had our first short sessions. Then it was time to break for lunch.

Fed and caffeinated, we returned to our sessions.

You can find a list of sessions, each with links to notes (and, eventually, videos) for each, on the IWC Berlin 2025 schedule page.

Before 5pm (1700) we cleaned up and moved out. I was beat, so I headed back to where I’m staying for food, before meeting up with Amy and our friend Jessica, who showed us KPop Demon Hunters. I loved it. 🥹

Sunday

Once caffeinated, we returned to the scene of Saturday’s summoning. We each inscribed small prayers for the day on small paper squares and arranged them next to the scheduling grid as a blessing.

Then everyone hacked on their websites! Until lunch time!

A short couple of hours of hacking later, it was time for Demos. Everyone shared the projects they had tackled, showed their progress, and talked about future work.

After demos it was time to wind it down, clean up, photograph and take down the schedule board, pack up our pins and stickers, and say our goodbyes and see-you-laters.

It’s Over!

It was weird to be back, and it was good to be back. To catch up after a long time away, to continue conversations as if no time had passed at all, and to meet new friends in meatspace.

Thanks to everyone who made this possible! An incomplete list would include:

• Our hosts at Mozilla Berlin
• Organizers Tantek and Joschi.
• Fellow volunteers Jo and Daniel
• Expert remote Zoom wrangler David
• Everyone who attended, whether you were in-person or remote. Thank you for contributing your time and your thoughts!

About those Projects

I had an idea of a couple of “easy” projects, but ended up spending most of my time fixing up some posts with images I broke when I deleted a bucked from Amazon S3, thinking I had already updated those posts. I hadn’t! So, I dug into my backups, re-uploaded, and updated 50-something images across 30 or so posts, mostly from my February 2011 thing-a-day posts.

My first easy project was to fix up some bad markup and styles where YouTube embeds were breaking out of my layout at small screen sizes. This was largely due to my awful old templates and styles, and I ended up manually fixing about a half-dozen posts by hand.

The second “““easy””” project was to try and figure out why I couldn’t sign in to the IndieWeb wiki, using my own IndieAuth server.

It seems like the indielogin.com service that the IndieWeb wiki uses has drifted from the IndieAuth spec, in anticipation of an update to the spec that has not yet materialized.

It’s too much to recap here, but you can find the chat log where I bother Aaron Parecki about it.

A little while later, he told me to “try again”, and…

Mid afternoon horror film 🎥 😱

IndieWebCamp Berlin Day 2 (Create Day!)

This post will be part of a series, as I join KnitFactoryImpl's knitalong of a set in sleeve crew neck sweater for channel members. KnitFactoryImpl (aka Carson)'s videos have been a huge help and source of inspiration on my short knitting journey so far, so it's really fun to get to join in and participate!

I got serious about learning machine knitting just this year, and only just finished my first sweater (which I need to post about!), so I think I barely qualify to do this project. It uses a combination of techniques that I have used in isolation, like increases, decreases, and short rows, but all together. I recently got an attachment for doing ribbing, which I've barely learned to use, but I want to do ribbed hems.

Adding to the challenge, I didn't quite know what sweater I actually wanted to make! Thankfully, producer Amy saw some promise in our yarn stash and made a request of a 4-color striped sweater made from some cotton yarn in sorta-trans-pride-flag colors.

Always be swatching

Following the instructions for the knitalong, and Carson's evergreen advice, I made gauge swatches for the body, with a couple of different striping options, as well as a sample swatch of ribbing. I used a tension that I've been pretty comfortable working with this yarn so far. We plan to machine wash and dry the finished sweater, so we treated the swatches the same way to see how the fabric turned out.

We were both pleased with how the swatches came out! I think the finished sweater will look nice based on these. More importantly, during swatching I learned that I absolutely do not have it in me to do a 4-color striped knit at the point in my knitting journey! 😅 Until I am able to invest in a color changer, I am going to focus on fewer colors, so we agreed on a pattern of black and purple stripes, evenly spaced at 12 rows each.

Sensing a pattern

With gauge swatches in hand, it was time to visit the pattern generator for the set in sleeve crew neck sweater and punch in my gauge measurements, as well as producer Amy's measurements for how she wants the final sweater to fit.

The resulting pattern is a set of written instructions for each part of the sweater: front and back panels that are worked the same from the bottom but differ as you approach the top, sleeves worked up from the cuffs, and the neckline which is worked as you combine the pieces.

Carson recommends starting with a sleeve, for many reasons, and that's the topic of her first video for the knitalong, so that's where I started!

One does not simply knit a sleeve

Each sleeve is a journey, starting with a cuff (25 rows of ribbing, in my case), then switching to stockinette ("regular") knitting for the long body of the sleeve, with regular increases as you widen the sleeve from the hand to the arm hole. At the maximum width, we're not quite done. We bind off some stitches for the underarm, then do a few different sequences of gradual decreases, and finally some round shaping with short rows, before finishing the piece to remove it from the bed.

For this sweater, color stripes would add extra complexity. No matter what else was happening in the pattern, I would need to stop every 12 rows to switch out one color for the other. In theory, the mechanics of each is not difficult - my machine has a little notch at the ends to park one yarn while the other works. But I would have to make a color switch every 12 rows while also following the rest of the pattern, such as increasing every 10 rows. In a way, I would be working two sets of instructions at once. Thankfully, I once again followed Carson's advice and printed the pattern on paper. After much fidgeting and scrunching of my face, I was able to scribble out number sequences until I was pretty sure it would work.

Sleeve time let's go!

With pattern in hand, I set up the machine and got to work. I followed my machine manual instructions for casting on 1x1 ribbing at the required number of stitches and knit the cuff. I transferred all stitches to the main bed for the body of the sleeve and knit my first 10 rows to an increase. Two more and it was time to switch colors. Increase again at the next multiple of 10. Then another color change at 24 rows and oh god-

I believe I improperly set the yarn in the feeder after changing colors. With the incoming yarn failing to feed, the machine promptly dropped switches from their needles. I was most of the way across the bed before I realized this.

In theory, it was possible to save this piece. I used my transfer tools to pick up a few stitches, but between the weights on the work and my clumsy fingers I was going to have to rework a lot of stitches. I decided to cut my losses, unravel everything so far, and call it a day.

Sleeve time, let's carefully go

The next day I started again, this time taking extra care to check that the yarn was properly ready to feed whenever I changed colors. Keeping track of all the changes was challenging, and at times during the decreases and short rowing I ended up off by a stitch here or there. But I made it through!

At this point I took a break, cast my ballot in early voting, and enjoyed my afternoon.

What's another sleeve?

With one sleeve done, the second was sure to go faster. I felt much more confident in the rhythm of the changes and techniques. I even stopped to take a progress photo!

This photo was taken after the long sequence of increases, which end with binding off some stitches on either end to make a "shelf" for the under arm. Completely by coincidence, I took this photo right before I made a horrible mistake.

After the bind-off for the underarm shelf comes a sequence of decreases, at difference cadences. Starting from this photo, I was meant to knit 12 rows, decreasing a stitch on each side each row, followed by a couple of sequences which involved decreases only every third row.

I got mixed up and did 12 rows at the slower cadence of decreases. 😭

I'm not skilled at it, but I was able to "unknit" a couple of rows, pulling the previous stitches back onto their needles. I suspected this would become confusing or problematic when I got to the rows where I had decreased, requiring complex moves to "un-decrease". However, before I got to that point, the unknitting process was causing stitches to fall off needles entirely, multiple at a time.

At this point I needed a new strategy. Thankfully, another of Carson's videos, where she makes this absurdly wonderful wolf sweater, had the answer.

I removed the weights from the piece and carefully removed the piece from the needles. Then, I found the stitches from the row in the photo above, just after completing the bind-off for the underarm shelf. I carefully re-hung that row of stitches across the number of needles from that row of the pattern.

Then I tucked the knitting back in, added weights, and restarted the pattern as if I had not completely goofed it.

And... this worked out totally fine! After finishing the piece I went back and unraveled the "teratoma" from my miscounted piece. The anomalous row is barely visible, and I think the only side-effect is that I'll have a couple of extra ends to work end during assembly. Whew!

With two sleeves completed, I could not resist asking producer Amy to help me complete a familiar shot from Carson's videos.

Next time...

Neither of these sleeves is perfect, but I think overall they look really nice, and the little imperfections will be hidden in seams as it all comes together. Producer Amy is really loving the look so far, and we're both looking forward to how it shapes up after washing and assembly.

The body panels are expected as the next pieces in the knitalong. However, I'm not going to have much time to knit in the next couple of weeks! 😅

I look forward to checking out other folks' progress and a (careful, controlled, certainly not rushed) busy weekend of catching up when I get a chance.

Thanks to everyone involved in making this knitalong possible! I am grateful to be learning so much and feeling like part of a community of folks doing the same!

The mini-rustoid is among the delightful horrors waiting to be exhumed in Animal Crossing New Leaf.

There are so many techniques to learn (and practice!) when learning to machine knit. I thought it would be fun to solicit some smaller projects, so I “opened” “commissions” by asking some friends if they had any small project ideas after showing them a successful hat.

By buddy Chris took me up on it! He has a large power brick that he found was getting scratched up in his luggage and asked if I could make a cover for it.

This sounded like a totally doable project, so I decided to take it extremely seriously.

I asked Chris to send me some measurements and a reference photo.

I used the measurements and photos to 3D print a test-dummy brick.

I offered up some terrible photos of my yarn stash to pick colors, and some patterning options to cover the bag.

I used these selections to make a gauge swatch at a few different yarn tensions.

With the gauge chosen, I measured out the number of stitches and rows per inch. Then it was time to write up a pattern.

This bag is knit as a rectangle from the top down.

1. Start by casting on enough stitches to go around the two short sides (actually, a little less, since we want it to be snug).
2. A half-inch hem is made by starting with an inch of knitting, then folding it over and re-hanging the initial stitches to form a tube. A cord will go through this hem to let us pull the bag closed.
3. The main body of the bag is then knitted in two colors using Fair Isle pattern number 031 from Brother’s Stitch World. It’s as long as the long side of the brick, plus a little extra for the bottom, which will be stitched shut.

The bag is formed by sewing up the rectangle on two sides. I found this a little tricky on the bottom, as I had the pattern go all the way to the edge, so it’s a little lumpy!

The cord for the bag is knit on the machine by casting on 3 stitches, setting the carriage to tuck in one direction, then knitting a bunch of rows until it seemed long enough.

I added a 3D printed lace lock to hold the cord in place when the bag is pulled tight.

I did a bit of a knit-finishing crime, here. Specifically, I had washed my guage swatches before measuring them, but I did not wash the finished bag. By the time I had sewn it up and added the cord I was ready to be done with the project. So, the final bag is slightly larger than intended, unless and until it gets washed or steamed to let the fibers relax and shrink up.

But, whatever, it’s a finished object! I sent it to Chris, who sent back this photo!

It was super fun to go over the top on this project. While it might feel like a “simple” one, it gave me good practice thinking about each step and not cutting corners. Well, not cutting corners until I decided not to wash and block the finished bag!

Many thanks to Chris for humoring me on this project, sending encouragement as I overshared process photos and video, and giving me permission to share this project on my site!

My knitting commissions are closed at the moment, as I have a good number of things I want to work on. Stay tuned in case they open up again, though. 😉