This post is part of a series, as I play catch-up on KnitFactoryImpl's knitalong of a set in sleeve crew neck sweater for channel members.

After completing the front panel, only one major on-the-machine task remains for this sweater, and that's the neckline.

This is easy to explain conceptually: connect the front and the back by seaming them together at one shoulder, rehang all the stitches on the knitting machine, knit some rows for the collar, then cast off on waste yarn.

Still, I was dreading this for some reason, so I procrastinated on it all day and then hemmed-and-hawed as I did it.

Technically, the last bits of shoulder seams should include some purple stitches, but I found it too mind-bending to think about how to change colors while so many needles were going into hold and being wrapped. It's really just a few stitches so I don't think anyone will notice in the final sweater.

I then took a long break for food, exercise, and a shower, and only actually started hanging the neckline on the machine about 15 minutes before the live show-and-tell. 🫣

I really enjoyed the show-and-tell. It was encouraging to hear KnitFactoryImpl's own challenges and inspiring to see the final (extremely fluffy!) cardigan. I was delighted and honored that she shared my posts from this very website with some kind comments on my knitting setup and progress photos. I loved seeing photos from other participants, too! It was nice to have enough context to understand and appreciate some of the choices made in terms of stitch variety, yarn types, and (of course) colors and patterns!

I ended up waiting until after the livestream to finish hanging the stitches.

Once it was all back on the bed, following KnitFactoryImpl's advice, I:

• hung a bunch of weights.
• knit one row of normal knitting (at a slightly looser tension than the main body).
• transferred half of the stitches to the ribber for 1x1 rib.
• added more weights.
• set up the carriages to knit the rib the same as I had done the cuffs and body panel hems.

I even got to use these cool weight hangers on the edges!

After all the effort to hang the stitches, set the weights, set up the carriage, knit the one row of stockinette, remove the carriage, transfer half the stitches, set more weights, and set up the carriages again, I was feeling pretty nervous about this going awry.

So I knit 12 rows of 1x1 rib very slowly, checking each stitch after every row. This was made more challenging by the fact that my main yarn is pitch black. 😅

To my relief, those 12 rows went great! It was time to cast off onto waste yarn with circular knitting. So, I switched yarns, set the carriages for circular knitting, knit a few rows back and forth-

- and realize something was going very wrong! The tension from the weights just seemed to be not working. A bunch of stitches piled up loosely and then started dropping.

I didn't panic, but I did remove all the weights and start painstakingly removing the tangled knitting from the bed.

Most of the actual rib came off the machine fine. A few stitches have dropped but, in theory, I can fix those while sewing up to finish the seam. HOWEVER: sewing up seams is definitely one of my weaker skills, so I am not sure I trust myself to do it without making a huge mess of things.

For the sake of my future as a machine knitter, I think I will probably pull all this ribbing off and try again. It will be a time-consuming process, but it's safe to do. Importantly, it will give me a chance to figure out what bits of the knitting machine / stand / cast-on comb / hanging weights are interfering with one another, causing the stitches to bunch up after that dozen-or-so rows.

I could also stand to practice seaming and mending, a good reason to try and "rescue" this delicate collar situation.

Which will I choose? Will I let this project languish now that the knitalong is over? Stay tuned to find out!

Meanwhile, many thanks to KnitFactoryImpl for running this knitalong, for providing a super versatile free pattern generator, making extra videos to detail each piece, and pulling together and sharing photos and more from the community! Also, you know, for the tons of great instructional and inspirational machine knitting content! Go subscribe and support her channel, already!

This post is part of a series, as I play catch-up on KnitFactoryImpl's knitalong of a set in sleeve crew neck sweater for channel members.

At the dawn of the final day of the knitalong, I was determined to finish the machine-knit portions of the build. That means making the front panel, seaming the front and back along one shoulder, rehanging the neckline, and knitting the collar.

The front panel is constructed about the same as the back panel, but with differences in the neck and shoulder shaping. Compared with my rough go of it on the back panel, the front panel went much easier. I found myself tripping over the combination of working the pattern and switching yarns for the colored stripes. And I'm afraid that no one on Earth knows exactly how the stitch and row counts on the arm hole and neck actually shaping turned out. Future me will, unfortunately, become the one to solve this puzzle.

I played gravity chicken with the cast-on comb and weights and, unfortunately, they were near touching the ground just as the pattern called for the long series of decreases for arm hole shaping. I was able to hang the regular cast-on comb, but it added some complication with moving those stitches. If I had to do it again, I'd make sure to re-hang all the weights 10 or so rows before that.

I also regret being precious and/or clever with managing the out-of-work yarn. To keep down the number of ends to work in, I let the out-of-work yarn float from one section to the next. For straight sections, I should be able to hide the floats in a seam. For areas with decreases and bind-offs, I should have just snipped yarn and worked in the ends as I went. I think I'll be cutting and adding extra yarn to several floats that ended up being pulled shorter than the stitches they are meant to hide among. 😩

With breaks for food and stretching, it took me about 4 hours to get through this body panel. With my other obligations for the day, I don't think I'll be able to finish the neckline tonight. But, hey, there's always tomorrow!

I'm not super confident in how this is gonna turn out, but I'm proud that I've pushed through so far! Plus I got to try draping all the major pieces on!

This post is part of a series, as I play catch-up on KnitFactoryImpl's knitalong of a set in sleeve crew neck sweater for channel members.

In the first installment of this series, I made some sleeves, putting me well on time for the knitalong. Since then, however, I spent two weeks in Berlin, a few days sick, and some days catching up on work. All that adds up to: the knitalong is already practically over! 😱

However, I can't let that get me down. It's not homework, there's no grade. I just want to practice some skills, learn some new ones, and make producer Amy a nice sweater. So, let's cast on and get back to it.

The second video in the knitalong series is on body panels. I started with the back. A process that was meant to look something like:

• Cast on 1x1 rib and knit the bottom hem.
• Transfer stitches to the main bed and knit the body (a long rectangle of plain knitting).
• Shape the arm holes by binding off some stitches, then decreasing for a bunch of rows.
• Shape the shoulder and neck by working one side at a time.

Because I'm working this sweater with a pattern of stripes, I peppered the printed instructions with the row count and color for each color change. This would become important when switching "sections" of pattern that restart the row counter to 000, and doubly important for the shoulder shaping, which has to be worked twice.

This was my first time casting on a 1x1 rib across almost the entire bed. I found it challenging to get the ribber's full-bed cast-on comb. In my first failed attempt the comb was one needle too far to the right and got caught on a piece of the machine. For the second attempt, one of the weights got stuck on a piece of my knitting machine stand, causing stitches on that side to bunch up and drop. Seen above: I finally got it right!

After transferring the stitches from the ribber to the main bed, it should have been smooth sailing for the main body. Unfortunately, working the striped pattern proved challenging with so many stitches on the bed. The area for "parking" the non-active yarn ends up under the carriage, making it easy to tangle and create long loops. And, oh no-

Just over halfway through the main body, after switching colors and, I SWEAR, checking that the new yarn was properly in the carriage feeder, I dropped off a ton of stitches.

Thankfully, this was recoverable, if tedious.

• Remove all weights from the work.
• Carefully remove the work from the machine.
• Go back to the last row of the previous color stripe and re-hang the live stitches. At 185 stitches this was quite tedious!
• Reset the row counter to match.
• Hang a cast-on comb and some weights.
• Resume knitting, redoing the stripe that was dropped. It will be removed after taking the piece off the machine.

That was, thankfully, the only major disaster.

When I made it to shoulder bind-off, I pulled up the knitalong video to start double-checking steps. The bind-off went fine. The reductions for the shoulder holes was made more complicated by needing to switch colors in the middle, but went pretty okay!

At this point, it was time to work the shoulders one at a time. I referred to the video multiple times. I goofed up and dropped some stitches that I was thankfully able to recover. I took it slow and sweat the details. I nodded along at the concept of short rowing on two sides as I watched the video a 5th and 6th time. I ver-ry care-ful-ly bound off stitches. I counted and recounted and still somehow ended up off-by-one stitch somewhere along the way.

But I finished! And I think it will be okay!

I worked on this piece on and off all day, in between work and meetings and phone calls. I definitely putting in at least a few solid hours of work, mostly in recovering from mistakes. I wrapped around 10pm to write this post!

I'll be back at it tomorrow! My hope is to at least finish the front panel and the neckline and get a post online in time for the knitalong's Sunday show and tell. I'll still need to seam the final shoulder, sleeves, and sides, but I'll have finished the machine knitting part of it, and that should feel pretty good.

OK, see you tomorrow!

Today was a good day, I think, for finishing a little guy that I’ve been carrying around incomplete for a couple of weeks.

I’m traveling but that doesn’t mean I’m not machine knitting!

I am so grateful to Cristina Talpa for her make-a-scarf workshop. Amy found it via the Makery and we thought it seemed too good to pass up.

And it was! While the workshop is geared for total beginners to machine knitting, Cristina smoothly adjusted to work around things I already knew. She taught me some great new techniques and helped me improve some less-than-optimal techniques I came to the workshop with.

Plus, this scarf! I love it! Amy enjoyed posing me on an outing in Berlin today to snap a few photos.

I’m so grateful for the opportunity to meet an expert (and experimental!) machine knitter, work on a garment together, and chat about the state of the craft.

Thanks so much, Cristina!

This post will be part of a series, as I join KnitFactoryImpl's knitalong of a set in sleeve crew neck sweater for channel members. KnitFactoryImpl (aka Carson)'s videos have been a huge help and source of inspiration on my short knitting journey so far, so it's really fun to get to join in and participate!

I got serious about learning machine knitting just this year, and only just finished my first sweater (which I need to post about!), so I think I barely qualify to do this project. It uses a combination of techniques that I have used in isolation, like increases, decreases, and short rows, but all together. I recently got an attachment for doing ribbing, which I've barely learned to use, but I want to do ribbed hems.

Adding to the challenge, I didn't quite know what sweater I actually wanted to make! Thankfully, producer Amy saw some promise in our yarn stash and made a request of a 4-color striped sweater made from some cotton yarn in sorta-trans-pride-flag colors.

Always be swatching

Following the instructions for the knitalong, and Carson's evergreen advice, I made gauge swatches for the body, with a couple of different striping options, as well as a sample swatch of ribbing. I used a tension that I've been pretty comfortable working with this yarn so far. We plan to machine wash and dry the finished sweater, so we treated the swatches the same way to see how the fabric turned out.

We were both pleased with how the swatches came out! I think the finished sweater will look nice based on these. More importantly, during swatching I learned that I absolutely do not have it in me to do a 4-color striped knit at the point in my knitting journey! 😅 Until I am able to invest in a color changer, I am going to focus on fewer colors, so we agreed on a pattern of black and purple stripes, evenly spaced at 12 rows each.

Sensing a pattern

With gauge swatches in hand, it was time to visit the pattern generator for the set in sleeve crew neck sweater and punch in my gauge measurements, as well as producer Amy's measurements for how she wants the final sweater to fit.

The resulting pattern is a set of written instructions for each part of the sweater: front and back panels that are worked the same from the bottom but differ as you approach the top, sleeves worked up from the cuffs, and the neckline which is worked as you combine the pieces.

Carson recommends starting with a sleeve, for many reasons, and that's the topic of her first video for the knitalong, so that's where I started!

One does not simply knit a sleeve

Each sleeve is a journey, starting with a cuff (25 rows of ribbing, in my case), then switching to stockinette ("regular") knitting for the long body of the sleeve, with regular increases as you widen the sleeve from the hand to the arm hole. At the maximum width, we're not quite done. We bind off some stitches for the underarm, then do a few different sequences of gradual decreases, and finally some round shaping with short rows, before finishing the piece to remove it from the bed.

For this sweater, color stripes would add extra complexity. No matter what else was happening in the pattern, I would need to stop every 12 rows to switch out one color for the other. In theory, the mechanics of each is not difficult - my machine has a little notch at the ends to park one yarn while the other works. But I would have to make a color switch every 12 rows while also following the rest of the pattern, such as increasing every 10 rows. In a way, I would be working two sets of instructions at once. Thankfully, I once again followed Carson's advice and printed the pattern on paper. After much fidgeting and scrunching of my face, I was able to scribble out number sequences until I was pretty sure it would work.

Sleeve time let's go!

With pattern in hand, I set up the machine and got to work. I followed my machine manual instructions for casting on 1x1 ribbing at the required number of stitches and knit the cuff. I transferred all stitches to the main bed for the body of the sleeve and knit my first 10 rows to an increase. Two more and it was time to switch colors. Increase again at the next multiple of 10. Then another color change at 24 rows and oh god-

I believe I improperly set the yarn in the feeder after changing colors. With the incoming yarn failing to feed, the machine promptly dropped switches from their needles. I was most of the way across the bed before I realized this.

In theory, it was possible to save this piece. I used my transfer tools to pick up a few stitches, but between the weights on the work and my clumsy fingers I was going to have to rework a lot of stitches. I decided to cut my losses, unravel everything so far, and call it a day.

Sleeve time, let's carefully go

The next day I started again, this time taking extra care to check that the yarn was properly ready to feed whenever I changed colors. Keeping track of all the changes was challenging, and at times during the decreases and short rowing I ended up off by a stitch here or there. But I made it through!

At this point I took a break, cast my ballot in early voting, and enjoyed my afternoon.

What's another sleeve?

With one sleeve done, the second was sure to go faster. I felt much more confident in the rhythm of the changes and techniques. I even stopped to take a progress photo!

This photo was taken after the long sequence of increases, which end with binding off some stitches on either end to make a "shelf" for the under arm. Completely by coincidence, I took this photo right before I made a horrible mistake.

After the bind-off for the underarm shelf comes a sequence of decreases, at difference cadences. Starting from this photo, I was meant to knit 12 rows, decreasing a stitch on each side each row, followed by a couple of sequences which involved decreases only every third row.

I got mixed up and did 12 rows at the slower cadence of decreases. 😭

I'm not skilled at it, but I was able to "unknit" a couple of rows, pulling the previous stitches back onto their needles. I suspected this would become confusing or problematic when I got to the rows where I had decreased, requiring complex moves to "un-decrease". However, before I got to that point, the unknitting process was causing stitches to fall off needles entirely, multiple at a time.

At this point I needed a new strategy. Thankfully, another of Carson's videos, where she makes this absurdly wonderful wolf sweater, had the answer.

I removed the weights from the piece and carefully removed the piece from the needles. Then, I found the stitches from the row in the photo above, just after completing the bind-off for the underarm shelf. I carefully re-hung that row of stitches across the number of needles from that row of the pattern.

Then I tucked the knitting back in, added weights, and restarted the pattern as if I had not completely goofed it.

And... this worked out totally fine! After finishing the piece I went back and unraveled the "teratoma" from my miscounted piece. The anomalous row is barely visible, and I think the only side-effect is that I'll have a couple of extra ends to work end during assembly. Whew!

With two sleeves completed, I could not resist asking producer Amy to help me complete a familiar shot from Carson's videos.

Next time...

Neither of these sleeves is perfect, but I think overall they look really nice, and the little imperfections will be hidden in seams as it all comes together. Producer Amy is really loving the look so far, and we're both looking forward to how it shapes up after washing and assembly.

The body panels are expected as the next pieces in the knitalong. However, I'm not going to have much time to knit in the next couple of weeks! 😅

I look forward to checking out other folks' progress and a (careful, controlled, certainly not rushed) busy weekend of catching up when I get a chance.

Thanks to everyone involved in making this knitalong possible! I am grateful to be learning so much and feeling like part of a community of folks doing the same!

There are so many techniques to learn (and practice!) when learning to machine knit. I thought it would be fun to solicit some smaller projects, so I “opened” “commissions” by asking some friends if they had any small project ideas after showing them a successful hat.

By buddy Chris took me up on it! He has a large power brick that he found was getting scratched up in his luggage and asked if I could make a cover for it.

This sounded like a totally doable project, so I decided to take it extremely seriously.

I asked Chris to send me some measurements and a reference photo.

I used the measurements and photos to 3D print a test-dummy brick.

I offered up some terrible photos of my yarn stash to pick colors, and some patterning options to cover the bag.

I used these selections to make a gauge swatch at a few different yarn tensions.

With the gauge chosen, I measured out the number of stitches and rows per inch. Then it was time to write up a pattern.

This bag is knit as a rectangle from the top down.

1. Start by casting on enough stitches to go around the two short sides (actually, a little less, since we want it to be snug).
2. A half-inch hem is made by starting with an inch of knitting, then folding it over and re-hanging the initial stitches to form a tube. A cord will go through this hem to let us pull the bag closed.
3. The main body of the bag is then knitted in two colors using Fair Isle pattern number 031 from Brother’s Stitch World. It’s as long as the long side of the brick, plus a little extra for the bottom, which will be stitched shut.

The bag is formed by sewing up the rectangle on two sides. I found this a little tricky on the bottom, as I had the pattern go all the way to the edge, so it’s a little lumpy!

The cord for the bag is knit on the machine by casting on 3 stitches, setting the carriage to tuck in one direction, then knitting a bunch of rows until it seemed long enough.

I added a 3D printed lace lock to hold the cord in place when the bag is pulled tight.

I did a bit of a knit-finishing crime, here. Specifically, I had washed my guage swatches before measuring them, but I did not wash the finished bag. By the time I had sewn it up and added the cord I was ready to be done with the project. So, the final bag is slightly larger than intended, unless and until it gets washed or steamed to let the fibers relax and shrink up.

But, whatever, it’s a finished object! I sent it to Chris, who sent back this photo!

It was super fun to go over the top on this project. While it might feel like a “simple” one, it gave me good practice thinking about each step and not cutting corners. Well, not cutting corners until I decided not to wash and block the finished bag!

Many thanks to Chris for humoring me on this project, sending encouragement as I overshared process photos and video, and giving me permission to share this project on my site!

My knitting commissions are closed at the moment, as I have a good number of things I want to work on. Stay tuned in case they open up again, though. 😉

Today was a good day, I think, for making a little guy.

I started with the base pattern from Machine Knitting Monthly Oct 2025, intending to make the little guy without the hat. Instead of subtracting the rows for the folded brim in the pattern, I left them in, so he became extra looooong. I ended up stuffing some of the body rows inside during the sewing-up process, but he’s still kind of a tall bean.

Instead of the hat, I made a little mop of i-cord hair, inspired by KnitMachineImpl’s “Megan Donner hat” video.

As mentioned in my first-hat and forbidden socks posts my Brother KH-930e knitting machine was unable to knit two-color Fair Isle patterning due to two cam buttons being stuck together.

I didn't really know where to start with figuring this out. I remember doing some semi-fruitless web searching, before finally deciding to learn how to disassemble the carriage enough to look at it and see if I could find something obvious.

I started by hunting down the service manual PDF for my machine and following the instructions there. Those instructions and diagrams helped me get the handle and the cover off, as well as most of the way to removing the cartridge-like structure that mounts the cam control buttons. I was scared off by the "remove these springs" steps, as I did not see a way to remove the small springs without bending them.

At the end of this process I was able to determine that the buttons themselves were not stuck together. It was the plates that each of these buttons controls. If I wanted to get inside to see what was going on, I would definitely have needed to get those springs out, and plan for some messier and more fiddly work.

Disappointed and anxious, I reassembled the carriage. Thankfully, it still worked, though still without Fair Isle support. Between the mess of old oil and grease, and my anxiety about getting the carriage apart and together again, I didn't even take photos of this part of the process.

That's when I found the videos that would have saved me all the trouble!

This Cleaning Brother Carriages from theanswerladyknits on YouTube has so much information about Brother (and other) knitting machines, in-depth disassembly and cleaning videos, lists of what to buy, and even explanations about common issues like the exact button-sticking problem I was facing. I cannot stress enough how relieving and exciting it was to find these videos.

I went a little overboard and bought their whole deep-clean-and-restore shopping list, which ended up being a little over $100 worth of oils and solvents and lubes and oil-soaking rags. I only planned to use 2 or 3 of these, in order to unstick the button cams, but wanted the other stuff on hand in case I needed to go further.

Once I had all the fluids, I picked up an aluminum turkey pan as a portable work tray. This served to keep all the oil and gunk away from the surfaces in our small apartment, let me spray next to a window for better ventilation, and store it out of the way as I let things soak.

Our carriage was pretty clean, overall, but with old yellow-orange grease pretty visible. According to the videos on theanswerladyknits channel, this is old lithium grease, likely from when the carriage was first assembled. That suggests our machine had not seen much use since its early days.

I removed the plastic parts for the buttons and knobs for hand-cleaning and wiped away the visible globs of grease that I could see, then sprayed "aero kroil" into the cam button assembly, especially focusing on the bottom area where the "tuck" "multicolor" cam plates need to slide past one another. Within minutes, the kroil had done its work and I was able to slide the two plates independently, hooray!

I let the kroil work overnight. As theanswerlady's husband "Ask Jack" tells it, kroil a "creeping oil" that works its way over and between metal parts, freeing them up, then also works its way out. However, he also says that we don't want to leave any hydrocarbon oils inside the machine.

So the next day, it was time to chase out all the kroil, and as much of the old lithium grease and any other "crud" it had freed up. I used a can of LPS-1 to spray into and through all the nooks and crannies of the carriage that I could get to, using a stiff brush and blue towels to try and "mop out" all the gunk I could reach.

After the scrubbing I propped up the carriage for an hour or so to let the LPS 1 drip out before flipping it over to let it drip some more. I bagged and tossed the soaked shop towels and used some fresh ones to lightly blot away obvious pools and drips as I re-assembled the carriage.

Before testing things out, I sprayed the underside of the carriage, as well as the machine's needle bed, with "ask Jack"'s recommended "LPS FG" food-grade dry silicone lube, and gave everything a good wipe down.

After a couple of false starts I got things going and everything moved much more smoothly than before. I set up some waste cotton yarn across all 200 needles and knit a long swatch at varying tensions, working the mechanisms and soaking up any excess lube and junk that might come out.

Finally, I pulled out the hat pattern I had worked out for Producer Amy a couple of weeks before, knit the hem, and engaged two-color Fair Isle pattern knitting...

I think we're in business!!

Returning to my original "curriculum":

• ✅ Do some swatching
• ✅ Make a single-color hat
• ✅ Make a two-color hat with a Fair Isle pattern
• 🔜 AYAB time

Looks like I have "no excuses" left not to disassemble the on-board electronics to replace them with AYAB. 😳

In truth, I would like a bit more practice with Fair Isle using the "vanilla" machine. Specifically, the hat above is done with an overall repeating pattern, but there are different techniques if you want to do a "motif" that is constrained to just one part of the knitting. I want to make some swatches with isolated patterns and end-needle selection, practice managing floats, get used to the way pattern knitting row counts feel "off by one", see how Fair Isle affects the finished gauge of the fabric, etc.

Meanwhile, I've started a basic sweater with hilarious results. Stay tuned, like and subscribe, etc. etc. etc. 😎